Baker Jan Racek (Vladimír Repa) is a very hard-working and sensible man. His great passion is pigeon-keeping and also, for many years, Ruzenka (Ludmila Vostrcilová). They are going to get married but Racek is busy waiting for the pigeons' return and misses the wedding. The engaged couple is already getting a little older so the otherwise kind Ruzenka gets very angry at this and gives Racek an ultimatum - it's going to be her or the pigeons.

A famous actress arrives at her brother's estate with her son and boyfriend, a writer. There they meet young Nina, who flies through their lives like a seagull...

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Every morning, 8-year-olds Nate and Malika leave home 30 minutes early to go to school, and yet every morning they arrive late! That's because every morning, something AMAZING happens on the way. But even though their stories are always true, the school's principal never believes them.

A team of inept undertakers attempt to get a coffin to a funeral on time.

Maggie has missed a date with a girl she really liked and will not return her best friend's phone calls. By looking around her apartment and listening to her phone messages, we learn why.

Six part series looking back on some entertaining and memorable moments from Gay Byrne's 37 year career at the helm of RTÉ’s flagship chat show.

An elderly woman has secluded herself in her remote home in the French countryside, when a young foreign couple on vacation suddenly intrudes on her isolated life.

Angus Wilson (1913-1991) wrote his novel "Late Call" in 1964, and 20 years later, Anthony Burgess ranked it as one of the 99 best novels written since 1939. This led to its inclusion in the rec.arts.books compilation list of the 425 "Greatest Books of All Time." The central character is the elderly Sylvia Calvert, and Wilson wanted to "find a way of suggesting the absurd and the compassionate at the same time in Sylvia's story," and with her son, "the sudden, incidental and completely horrible in the deadly respectable world." Adapting Wilson's novel into four episodes (each approximately 50 minutes in length), Dennis Potter expanded Wilson's prologue ("The Hot Summer of 1911") into the drama's centerpiece, intercutting between past and present as he probed spiritual desolation in the English Midlands.